August 11, 2016
Aleksandar

Since I saw a photograph of an Egyptian and a German beach volleyball player confronting each other at the net in Rio, I have been unable to get the image out of my head. Doaa Elghobashy, aged 19, wears a hijab, long sleeves and black leggings to her ankles. Kira Walkenhorst, 25, is in a dark blue bikini. The outstretched hands of the Olympian women almost meet, the ball between them.

The photo, by Lucy Nicholson of Reuters, juxtaposes two women, two beliefs and two dress codes, brought together by sport. The world confronts less a clash of civilizations than a clash of identities, concertinaed in time and space by technology. The West’s image of Islam and the Muslim image of Western societies are often mutually incommunicable; the incomprehension incubates violence.

No area is as sensitive as that of the treatment of women, women’s roles, women’s sexuality, dress and ambitions. The story is often presented as one of Western emancipation versus Islamic subjugation. That, however, is an inadequate characterization.

What follows are accounts by two women, an Egyptian and an American, of their experiences with the hijab. Chadiedja Buijs is a graduate student in Cairo. Norma Moore is a former actress living in Boulder, Colo., who recently visited Iran, where the rules obliged her to adopt Islamic dress codes.

Chadiedja Buijs:

My parents — Egyptian mother, Dutch father — separated when I was four, and I grew up in the Netherlands. My mom doesn’t wear a head scarf and when I began to at the age of 19, five years ago, she said, “What the hell are you doing? I left my country so that you could be free and this is what freedom did?”

I had a lot of issues with myself, with my spiritual needs and my state of being. I was very hardworking, very controlling. I began to feel that as a religious person I needed to realize that some things are bigger than me. I started with prayer. I stopped drinking. I began fasting. I’d been so obsessed with material things. After a while I became convinced that it would be good if I could wear the head scarf out of devotion and humility, as a sign of giving up some of my control. It worked.

Our Prophet says faith is like the ocean. Sometimes the waves are high, sometimes low. Sometimes I am shaky in my faith, sometimes very strong.

The hijab is a matter of representation. I know the person I am and the ideas I have. But the person in front of me sees only the exterior. With the tension in Europe, things are worse. In a Dutch village, in a café full of rich white people, a man tore my veil off. It was shocking but not as frustrating as some of the looks and comments, the job rejections (“You do not fit the image of our store”).

After the attacks in France, my mother said, “Please take your veil off.” It is my choice to wear it. I will die with it on. That is my right. Nobody will take it away.

But balance is important. There is this life and the afterlife. Sometimes you need to think about your spirituality. Sometimes you need to adapt. In the West, now, I may wear tighter jeans, or have my neck showing, or use short sleeves. Here in Egypt I may wear maxi-skirts, long and wide. They do not look great. They make me fat. But, hey, that’s the point! My family here is quite conservative.

There is very little religious literacy in secular Western countries. And there is a crisis within Islam, over what it means to be a Muslim. As Muslims we have to acknowledge the problem. ISIS controls what Islam looks like in Iraq and Syria — religious symbolism, flags, statements and verses. This is real. We cannot deny it. But we create extremism by talking about Islam only through this prism. The head scarf becomes a fetish.

Elghobashy is wearing leggings in the photo. I think she represents people like me. International-minded, young, modern Muslims who want to go out and study and work and play. We need different images of Islam.

I got different responses from men when I chose to wear a head scarf rather than a short skirt. It created a kind of distance. But I still have my sexuality in my own hands. I can be very flirtatious, go out and meet a man — but I decide in what mode I want to be. I can be focused on my spirituality, prayers and study without distraction, or I can have a period when I choose to be sexy even in a head scarf through how I act or speak. I feel I have more power and independence vis-à-vis men now.

Norma Moore:

I am a deeply religious person. I don’t have a label to attach to my faith, but it is there nonetheless at the core of my being. I believe that God created me and created me with love as I am — just as God creates every other person. When I put on the hijab in Iran and the shapeless tunics I experience an attempt to deny how I have been made — an attempt to neutralize me.

It has made me afraid. I started this trip almost completely covered by my hijab. Before coming I practiced with the help of an internet video so that no trace of hair or neck or calf would show and make me vulnerable to stares or the humiliation of being chastised. I had come here voluntarily and accepted the terms of admission, so I began the trip in a willing state of submission.

But then the weather got hot — very hot. I got overheated and all I could think about was tearing this hijab off. I felt suffocated. I thought how I wouldn’t let an animal suffocate like this. If my animal were covered like this and suffering I would tear the fabric off out of simple decency.

My hair, the curves in my body, were given to me by God. To cover my head and wear shapeless clothes feels like I am pretending not to be a woman and that somehow I am responsible for keeping men’s sexuality within social bounds.

I just can’t wrap my head around God making me responsible for men’s sexuality.

The Olympics volleyball photograph is tantalizing. The few inches between the women’s hands may as well be a chasm. More than once I have heard Iranian imams, with preposterous certainty, equate flimsy women’s attire in the West with decadence and prostitution. To Western sensibilities, the covered Muslim woman must de facto be the disempowered woman awaiting liberation.

Reality is many-shaded. Elghobashy wears an anklet of colored beads. The only colors on Walkenhorst are those of the German flag. Who is to say which of the women is more conservative, more of a feminist or more liberated? We do not know. What we do know is that we need more events that provoke us to ask such questions and discard tired certainties that may be no more than dangerous caricatures.

Source: nytimes.com